You are what you eat…On…

by Sally Wilson

Wedding season has reminded me all about tableware. Decisions, decisions!

Is fabulous tableware a luxury, a necessity…is it even important?

If nothing else, it is a visual Garden of Eden.

For all you Boulevardiers and Gourmands, some inspiration!


Flora Danica, by Royal Copenhagen, dating fro the 1700′s, Flora Danica is the world’s most luxurious & expensive porcelain, price for a teacup $1500

TABLEWARE 101:

 

Trenchers

From WIKIPEDIA: The first known use of the term tableware was in 1766, dinnerware in 1895 and dishware in 1946…

TRENCHERS: A trencher (from Old French tranchier; “to cut”) is a type of tableware, commonly used in medieval cuisine. A trencher was originally a piece of stale bread, cut into a square shape by a carver, and used as a plate, upon which the food could be placed before being eaten. At the end of the meal, the trencher could be eaten with sauce, but was more frequently given as alms to the poor. Later the trencher evolved into a small plate of metal or wood. People used this utensil to eat the many stews and porridges that made up their daily diet.

Antique Cutlery

From ABOUT.COM: The History of Eating Utensils…

Forks
Use of kitchen forks can be traced back to the time of the Greeks.

Knives
Knives have been used as weapons, tools, and eating utensils since prehistoric times. However, it is only in fairly recent times that knives have been designed specifically for table use.

Spoons
Spoons have been used as eating utensils since Paleolithic times.

Chopsticks
Chopsticks were developed about 5,000 years ago in China.

Portable Eating Utensils
Because people must eat no matter where they are, there has long been a need for portable eating utensils.

The Spork
Half spoon and half fork.

A Short History of the Wooden Plate
It has been suggested that these wooden trenchers gradually evolved into plates by first having a hollow turned in them and then the square profile being removed to leave the plate as we know it.

Caesar Cardini’s famous Café in Tijuana, opening night, 1935

From INFOPLEASE: The History of How Some Cuisine Got It’s Name…

Beef Stroganoff

A combination of beef, mushrooms, and sour cream, Beef Stroganoff was the prize-winning recipe created for a cooking competition held in the 1890s in St. Petersburg, Russia. The chef who devised the recipe worked for the Russian diplomat Count Pavel Alexandrovich Stroganov, a member of one of Russia’s grandest noble families.

Beef Wellington

A national hero for defeating Napoleon at Waterloo in 1815, Arthur Wellesley was made the first Duke of Wellington. He loved a dish of beef, mushrooms, truffles, Madeira wine, and paté cooked in pastry, which has been named in his honor.

Caesar Salad

In the 1920s, Caesar Cardini, owner of an Italian restaurant in Tijuana, Mexico, and his brother, Alex, invented a salad of romaine lettuce, anchovies, coddled egg, lemon juice, grated Parmesan cheese, and garlic-flavored croutons tossed with a garlic vinaigrette flavored with Worcestershire sauce. At first it was called Aviator’s Salad, but later Cardini named the dish after himself.

Chicken Marengo

A French dish of chicken braised with garlic, tomatoes, olives, white wine or brandy, and garnished with crayfish and sometimes fried eggs, Chicken Marengo was born on the battlefield. On June 14, 1800, Napoleon Bonaparte defeated the Austro-Hungarian army at the village of Marengo, in northern Italy. After a ferocious battle in which 5,800 French and 9,400 Austrians were killed, the victorious French were ravenous. Chicken Marengo was made from whatever ingredients they were able to take from the village.

Delmonico Steak (and Delmonico Potatoes)

Swiss immigrants, the Delmonico family created New York City’s first real luxury restaurant, which they ran from 1835 to 1881. With a menu printed in French and English, Delmonico’s featured French and American cuisine. Under the direction of French chef Charles Ranhofer, Delmonico’s set the standard for gourmet food. Delmonico Steak, a tender strip of usually boneless top loin, has become an American classic. It is also known as Kansas City strip steak or New York steak. Delmonico Potatoes are boiled, buttered potatoes sprinkled with parsley and lemon juice. Eggs Benedict and Lobster Newburg were also created at the restaurant.

Eggs Benedict

Eggs Benedict was most likely created at Delmonico’s Restaurant, in New York City, in response to a complaint that the menu never changed. Regulars at the fancy restaurant, Mr. and Mrs. LeGrand Benedict asked for something new. To oblige, the chef served up eggs on ham served on a muffin and covered in Hollandaise sauce.

Lobster Newburg

In the mid-1800s, shipping magnate Ben Wenberg asked Charles Ranhofer, chef at Delmonico’s Restaurant, to prepare a meal he had discovered in South America—chunks of lobster sautéed in butter and served in a sauce of cream and egg flavored with paprika and sherry. The meal was such a success that it was added to the Delmonico’s menu as Lobster Wenberg. However, some time later, Wenberg consumed too much wine from Delmonico’s renowned cellars and got into a brawl. He was banished from Delmonico’s forever and his name stricken from the menu. “Wenberg” became “Newburg.”

Peach Melba

Sometimes called the greatest chef who ever lived, Auguste Escoffier created a dessert of poached peach halves, vanilla ice cream, and raspberry sauce in honor of Australian opera singer Dame Nellie Melba. A Frenchman, Escoffier worked at the Ritz Hotel in London in the early 1900s, the period when Melba performed regularly at the Covent Garden opera house. Escoffier also created Melba toast—bread heated in a low oven until golden brown and very brittle—in Melba’s honor.

Salisbury Steak

J. H. Salisbury, a nineteenth-century English nutritionist, advocated a diet of lean meat. Salisbury Steak is a fried or broiled ground beef patty mixed with egg, breadcrumbs, onions, and seasonings. It is sometimes served with gravy.

Waldorf Salad

In 1896, Oscar Tschirky, the maître d’hôtel of the famed Waldorf-Astoria Hotel in New York City, created a salad of apples, celery, and mayonnaise. Immediately popular, the new dish was called Waldorf Salad. Chopped walnuts later became an ingredient.

 

Antique Limoges Porcelain Oyster Platter

From The New York Times,  By JENNIFER OLSHIN, March 26, 2000:

“Throughout the 19th and early 20 centuries, the growing appetite for refinement at the table resulted in an increasing demand for large numbers of matching ceramics, glassware and specialized items like pressed glass pickle jars and asparagus tongs. Looking to their 18th-century English and Continental ancestors for stylistic inspiration, Victorian Americans consumed vast numbers of traditionally shaped, floral-painted services with gilded rims. The oyster plate, made by the French Limoges factory, Haviland and Company, for the Rutherford B. Hayes White House service, exemplifies these trends. So to does the enduring popularity of conservative motifs and revival styles marketed by Spode, Wedgwood and other 20th-century Staffordshire potteries.”

Food for Thought — Tableware Today:

Altered Antiques

Altered Antique Plates by BeatUpCreations

Mineral Plate

Available from: do shop

Psycho Plates

The Ink Blot series by Kathleen Walsh; Available from: Fitzsu

 

Hot Plate

Available from: do shop

Dishoom Plates

Dishoom: In addition to quenching diners’ hunger, these cafés are also known to satisfy patrons’ appetite for community. Apparently everyone shares dishes while sharing stories together–no matter whether they came alone or in groups. It’s a social atmosphere Dishoom hopes to conjure by rolling out 80 custom-made plates decorated with stories about diners’ experiences with the old Bombay cafés.

 

This post is dedicated to The One I Love…5.17.2013

 From My Heart…Your Muse

Delmonico’s, New York

 

 

 

 

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Mirroring Tarkovsky

by Launa Bacon

 

Russian Filmaker Andrei Tarkovsky, who passed away in 1986 in Paris, is most known for his films Andrei Rublev (1966), Solaris (1972), The Mirror (1975) and Stalker (1979).  Tarkovsky’s first feature film was Ivan’s Childhood in 1962 which earned him international acclaim and was awarded the Golden Lion at the Venice Film festival in 1962.

Tarkovsky is the most famous Russian filmmaker since Eisenstein. His visionary approach to cinematic time and space, as well as his commitment to cinema as poetry, mark his oeuvre as one of the defining moments in the development of the modern art film. Although he never tackled politics directly, the metaphysical preoccupations of his films provoked ongoing hostility from the Soviet authorities.

Andrei Tarkovsky

Film director Ingmar Bergman said of Tarkovsky,  “Tarkovsky for me is the greatest [director], the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream.” (1)

Of any film created, the Russian filmmaker Andrei Tarkovsky’s art film The Mirror has had the greatest influence on my video work.   Tarkovsky’s imagery has become etched into my consciousness and has become a part of my memory, his cinematic inner world echoes in mine. 

The Mirror (1975) is loosely autobiographical, unconventionally structured and incorporates poems composed and read by the director’s father, Andrei Tarkovsky. Tarkovsky’s films are characterised by metaphysical themes, extremely long takes, and memorable images of exceptional beauty.  Recurring motifs are dreams, memory, childhood, running water accompanied by fire, rain indoors, reflections, levitation, and characters re-appearing in the foreground of long panning movements of the camera.  The film magically combines dream imagery, childhood memories, and newsreel footage with natural contemporary scenes.

My video, I Sat Beauty on My Knees and I Found Her Bitter,  (2011) incorporates imagery directly referencing “The Mirror.”

 

I Sat Beauty on My Knees and I Found Her Bitter,  Launa Bacon, 2011, 6:52 min.

http://vimeo.com/48248970

 

The Mirror, Andrei Tarkovsky, 1975

 

I Sat Beauty on My Knees and I Found Her Bitter, Launa Bacon, 2011, 6:52 min.

http://vimeo.com/48248970

Additionally, my other video, “Sculpting in Time,” 2012, gets its title from Tarkovsky’s book of film theory, “Sculpting in Time, Reflections on the Cinema,” published in 1986.    In the book, Tarkovsky discusses his working principles though questioning established theory.  He uses the process of pure observation and ideas of imprinted time and memory.  Cinema’s capacity for capturing time was, in his view, its most important feature. He favored long takes that allowed the time flowing through an individual shot to take effect on an audience. His contemplative, imagistic style emphasized the integration of characters with the world around them, both through their positioning in the frame and through the slow, probing camera movements he frequently employed. Like Antonioni, he proposed a cinema based on the rapt observation of the present moment as opposed to a plot-driven preoccupation with what will happen next.

Though his use of observation, he states that the  “artistic image cannot be one-sided:  in order justly to be called truthful, it has to unite within itself dialectically contradictory phenomena.” (2) 

There are two over-arching elements in Tarkovsky’s images that are arresting.  One is the artist has the capability to examine the object form the outside, possessing a timeless element into the moments. And the other, the fact that the imagery affects us simultaneously in two opposite ways.  The main character, played by the actress, Margarita Terekhova is at once attractive and repellent.  There is something inexpressibly beautiful about her and at the same time repulsive, fiendish.  It has an element of degeneracy – and of beauty.  The portrait of the heroine has the capacity to both enchant and repel. 

In regards to “pure observation” Tarkovsky makes the link that if time appears in cinema in the form of fact, the fact is given in the form of simple, direct observation.  The basic element of cinema, running through it from its tiniest cells, is observation. (3)

Tarkovsky points out how Sergei Eisenstein also of used the principles of pure observation.  Eisenstein quoted some examples of this through haiku:

 

As it passes by                                      The dew has fallen,

The full moon barely touches           On all the spikes of blackthorn

Fishhooks in the waves.                     There hang little drops.

 

The Mirror captures this idea of pure observation by creating dreams and memories we are asked to share with him here.  His evocative use of nature, memory and dreams is visually stunning.  Tarkovsky created the most visually stunning and captivating filmmaking imaginable.

1.  Title quote of 2003 Tarkovsky Festival Program, Pacific Film Archive

2.  Andrei Tarkovski, Andrey Tarkovsky, Sculpting in Time, Relflections on the Cinema (Austin: University of Texas Press, 1986), p. 54.

 3. ibid. p. 66.